K. Scott Warren
“Warren led with confidence…[committed to] the work’s shifts of mood and driving undercurrent of intensity.”
~The New York Times
Organist, pianist, conductor, and composer K. Scott Warren joined the music staff of Sacred Music in a Sacred Space at the Church of St. Ignatius Loyola in 2011. No stranger to the parish and staff of St. Ignatius, Scott was Associate Musician (part-time) from 2001 to 2007. His experience as a liturgical musician includes serving as Music Director or Interim Director at several Manhattan churches, including Immanuel Lutheran Church, Park Avenue United Methodist Church, and Fifth Avenue Presbyterian Church. In addition to his work at St. Ignatius, Scott currently serves as Organist/Choirmaster at Congregation Emanu-El of the City of New York, the largest Jewish house of worship in the world, where he plays the 4-manual, 135-rank Glück pipe organ and directs the 17-voice professional choir in over 120 choral liturgies annually.
Scott’s active career as a collaborative musician has led him to perform as organist and pianist with the New York Philharmonic, the American Symphony Orchestra, the New York Pops, the Orchestra of St. Luke's, the Dresden Philharmonic, and such notable choral ensembles as Musica Sacra, the Oratorio Society of New York, and Voices of Ascension. His work as an accompanist has been featured on local radio station WQXR, and on NPR and PBS.
A long-time love of choral music has recently led Scott to compose for the medium. Several of his pieces are published by Oxford University Press, and have been performed in New York City churches and in liturgies and concerts throughout North America, Europe, and Japan.
Scott’s musical interests are not limited to classical music. While growing up in Dallas, Texas, he played in a variety of local bands, including a five-year stint with the Al “TNT” Braggs Show Band, a popular Dallas-based rhythm and blues revue.
Scott is a graduate of the University of North Texas, where he studied organ with Jesse Eschbach and piano with Mary Nan Mailman.